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Episode 14: “Bringing the Vitality of Life into Architecture!” (Part 2)

Now we’re talking about life, huh?
I’m curious how it all connects to architecture.

First, let’s continue from last time — the circulation on Earth that begins with the sun.

▲The overall picture of photosynthesis and respiration (“Biology Deciphered from Entropy: Circulation and Bubbling Life” p.41)

In this circulation, as you know, plants perform photosynthesis, creating organic matter (sugar) from carbon dioxide using the power of the sun.

Then, animals breathe, turning sugar back into carbon dioxide while extracting and using energy.

This is a cycle of passing on the energy received from the sun, changing its form.

In other words, life is a system that relays the power received from the sun. Up to this point, we’re on the same page, right?

Semuu.

Here’s a question: what do you think is the difference between living things and nonliving things?

Hmm… not sure.
Maybe… whether it’s alive or not? But that’s kind of circular, huh.

True, but I actually agree.

There’s a theory (*1) that focuses on function, and from that perspective, I see being alive as “a system that keeps running cycles endlessly, and through that activity creates the boundary between itself and the outside world.”

So, anything with such a self-running system is a living thing.

Self-running, huh?
Yeah, living things do feel like they just keep going on their own.

Exactly — self-running.

But why do living things keep running on their own?

I didn’t have a good answer for that before.

I used to just think, that’s just how life is.

But one day, I felt like I finally found the answer.
The clue was entropy.

Entropy, here we go.

As I said earlier, the “force that makes things mix” — the source of all phenomena in the universe — disappears once things are fully mixed.

That means the state after mixing, when the force is gone — death — is actually the most natural state in the universe.

But living things keep running. Why?

From what we’ve seen so far, it’s because living things, or ecosystems, have a system to circulate the power they receive from the sun.

And at the same time, they have a mechanism for handling genetic information — the blueprint that creates, passes on, and adapts that system to the environment.

So, living things combine both the self-running force and the mechanism to maintain it.

SemuSemu

And to keep that self-running force means they keep holding on to the force before mixing —
living things constantly maintain the state before mixing (*2).
(We could even explain genetic information and evolution with entropy, but let’s save that for another time (*3).)

Earlier I said the post-mixing, death state is the most natural state.

So in that sense, nothing is more unnatural than life.

In a universe always heading toward death, life resists it, keeping the state before mixing.

That’s what life is, what it means to be alive.

And all this exists miraculously within the circulation starting from the sun.

So life is the most unnatural thing?
That’s kind of wild.

Yeah, it’s strange.

And I think it’s exactly this unnaturalness, this mystery, that makes us feel the vitality and wonder of life.

Now, think about this — there’s something in our everyday lives that’s strangely similar to living things.

What do you think it is?

Hmm… no clue.
Something to do with people?

Definitely.

Maybe it’s just me, but one of those things is architecture.

Ah, so finally, we’re talking architecture.

Exactly.

For example, when we design comfortable buildings, we try to make the indoor temperature lower than outside in summer, higher in winter.

In other words, we maintain the state before mixing — an unnatural state.

And to do that, we keep improving technology, adapting to the environment.

Doesn’t that sound a lot like what living things do?

When you put it that way, yeah… maybe.
But isn’t that kind of a stretch?


Maybe it is.

But I think there’s a hint here.

I used to feel a bit of guilt about controlling the environment of architecture, about maintaining an unnatural state.

But when I realized living things themselves are unnatural,
and that this very unnaturalness gives life its meaning and vitality,
that guilt began to fade.

That doesn’t mean I think controlling the environment is always good.

I just think we should take inspiration from life, which exists miraculously within the circulation starting from the sun.

And if we can do that, maybe we can give architecture a sense of vitality, like life itself.

Then architecture wouldn’t be built out of duty or obligation.
It would be architecture that affirms all forms of existence,
architecture that affirms the people who live in it.
I don’t know if this answers your question, Semuu,
but I want to create architecture that feels connected to life itself.
And I want to do it together with you and Niki.
I think that’s what it really means to live.

Se… Semuu!
I feel so pumped u…p…….

・・・・・・・・・・・・・・・・・・・・

???
Semuu?
What’s wrong?

Se…muu…

Se…mu… Se-mu… Semsemsem…

Semsemsemsemsemsemsem—!!!

Gacchan!!!)(*4)

・・・・・・・・・・・・・・・・・・・・

!!!!!!!!!!

S-Semuu… there’s two of you now!!!

…There’s another me…
I guess I split when I got too excited…

……
Uh… I didn’t know what to say…
One Semuu was already like having a hundred people…
Now it’s like two hundred…

Oh, that’s lucky!
Looks like Semuu’s fired up now — he’s gonna work twice as hard!

………………………………..
W-well, yes…
Let’s do our best…
(There’s so much we still don’t understand about these Insect-humans…)

What is life?

It wasn’t something I had paid particular attention to before, but it was a question I kept approaching and drifting away from while thinking about architecture.

I never imagined it would become the key to unlocking so many contradictions I encountered while considering the environment.

The images of architecture I’ve written about here haven’t yet taken concrete form, but as I wrote this, I began to feel the outlines slowly coming into focus.

How will we make it real?
INSECT has just begun rowing its boat forward for that very purpose.

(The main storyline that shows the concept of INSECT concludes with Episode 14. From here on, we’ll post additional episodes as side stories whenever we feel like it.)

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